纹身图案,石汉瑞：…介于建筑师与成衣之间。HS: . . . between an architect and a tailor.,渲染
As a designer, we should be proud of our profession. We should share more, help each other. Together, we can then earn the respect we deserve.
The largest-ever solo象山气候预报 exhibition of Henry Steiner - Henry S居酒屋时刻停下来teiner: Graphi黄石公园c Communicator is on in Shenzhen UCCN Gallery, L2 Sea World Culture and Arts Center until 20 June, 2019. On the opening day, Steiner spoke gently: "My life is here. All the works I'm personally responsible for. It's纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托 a bit hard to believe, but it's true." Courtesy to Steiner, Design Society publishes his opening spee日元对人民币汇率今天ch. As if you were at the opening. (For English version, please scroll down.)
顺带提一句，有人搞不清楚规划究竟是艺术仍是工艺，我在耶鲁大学的同学、英国闻名平面规划师Alan Fletcher是这么界定两者差异的：“规划师企图处理客户的问题。艺术家企图处理自己的问题。”咱们是规划师，不是艺术家。像大多数规划师相同，我更喜爱接纳使命而非惹是生非。这也解说了我肄业期间为什么会觉得绘画别扭，由于我自己没什么想对这国际说的，我更喜爱帮别人说得悦耳纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托。
我还有一个小秘密。大多数绝佳的构思纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托点子往往来自客户自己。这项醒悟不该使咱们感到惭愧或有负罪感。比如处理咨询师或精力剖析师，咱们需求深化发掘客户的主意，倾听客户的声响。只要敏锐地潜入咱们客户的故事，咱们才有或许发现连他短笑话们自己都没意识到的共同、乖僻或别致的主意。
“. . . between an architect and a tailor.”
Before saying anything about our profession, I sincerely thank, first, our host Design Society and its industrious a纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托nd patient team. Thank Shenzhen Design Week to include our exhibition in it纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托s satelite pro平江气候gram. Also our sponsor the Macau Shenzhen Economic and Cultural Promotion Association. And especially my respected colleague and good friend, He Jianping, for his conception and masterful execution of this exhibition. It’s his project and I’m deeply grateful to him for this honor. Hsie hsie.
In college I was initially undecided between majoring in Painting or Literature and decided that郑洛云 it was much easier to draw one picture than to write a thousand words.
At Hunter College in those days 气候预报视频some of the cream of the New York School of Abstract Expressionist painters were our teachers. But except for one class in printmaking and for reasons not understood at the time, I felt uncomfortable with painting. In my senior year, the printmaking teacher was zoneassigned to discuss post graduation directions with me. We agreed that I had no future as a painter so he asked me what I had enjoyed doing at college.
I told him it was the extra-mural activities, like art editing the college newspaper, magazine and yearbook, creating posters, etc.
My mentor said: “You know, I also teach printmaking at Yale in a new department of the Art School. Why don’t you come up and study Graphic Design?”
I replied: “Sure, what’s Graphic Design?” You see, at that time the only term I recognized was commercial art.
What had been a craft, albeit one that traced its lineage back to Gutenberg and even further back to inions on Trajan’s column in the Roman Forum was, by the 1950s, morphing into a sort of profession. But, is graphic design really a profession? I’d like to explore this question with you.
To me, a real profession is one where you have to have a license or other formal recognition because malpractice could have serious consequences. It is said that while a doctor’s mistakes are buried, those of a lawyer are left hanging from the gallows for all to see.
Incompetent graphic design may keep the shredding machine busy, might get you lost in a strange city, or send you to the wrong gender toilet. But nobody suffers physical damage.
Incidentally, there is some confusion about the distinction between design as art or craft which was defined by Alan Fletcher (a classmate at Yale) as follows: “A designer tries to solve his client’s problems. An artist tries to solve his own problems.” We’re designers, not artists. Like most of us, I prefer to receive assignments, not to make them up. This explains my discomfort with painting, mentioned earlier. I have no message to offer the world. But I love to solve communication problems for others.
渣打银行1979年 ( 500圆/1000圆 )
I should point out that this idea of Art as something higher, and dreamed up by inspired individuals following their passion, has only been around for the last 150 years or so. Before that artists worked to order. They were hired to do portraits, landscapes, murals and religious works. Like a taxi, they didn’t start moving until the meter was on.
One of the few criticisms made of Paul Rand was that he didn’t look for clients but rather for patrons. The implication was that like many of the designers in the 30’s and 40’s he had his own personal design style.
The b纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托ig shift in 50’s design was away from a consistent painterly ‘style’. Designers formed in that period prided themselves on not being recognizable, not纹身图画,石汉瑞：…介于建筑师与裁缝之间。HS: . . . between an architect and a tailor.,烘托 repeating themselves. Their satisfaction came from analyzing a client’s specific communication problem and coming up with a solution not resembling anything they’d created previously.
Can you picture a doctor who prescribes two aspirins a day to every patient he sees no matter what the complaint? You get the analogy of a designer who pushes some variant of his style on every client.
The jo四年级下册英语y of design, for me, is in new challenges, and surprises. Ideally a design solution reflects the client’s personality, not mine.
Our clients tend not to be thrilled by shapes and colors. We must express to them the reasoning behind a design solution in the form of a story, which explains t年货清单he concept underlying our design proposal.
Sometimes, and this should be our little secret - we might even make up the story after having created the design. Now, this is not actually dishonest. Many creative workers find out their true purpose after the fact. I’m sure you’ve had hints of how your subconscious can be working away even when you’re not.
Another virtue of telling a story behind the design is that it gives the client something simple to explain to their board, or wife.
There is another little secret. Most of our best ideas … come from the client. There should be no shame or亵 guilt attached to this revelation.
Like a management consultenterant or a psychoanalyst, we most probe deeply and listen attentively to our clients. It is from delving sensitively into our client’s story that we might uncover the idiosyncratic, the quirky, the fresh ideas they themselves didn’t appreciate they already had.
So, as a pr大型手机游戏ofession, design is a modest one; useful but not terribly prestigious. Somewhere between that of architect and a tailor.
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